TASWIR explores its own topography
an idiosyncratic and rigorous way how to replace North and South, East and West by thematic relations, and how to archive its own materials and projects.
TASWIR
has invented a matrix
for an epistemic architecture
in nine topological rooms.
[. . . ]
Each room or any combination of rooms
may occasion any number
of new rooms, projects or exhibitions.
[…]
All TASWIR exhibitions are ongoing projects, platforms for artistic research.
Each TASWIR exhibition takes on the shape of a TASWIR atlas.
[…]
Each room of a TASWIR exhibition contains
a certain constellation of elements.
The constellations of elements show diachronic simultaneities and an overlapping of spatial references according to antecedent initiating moments,
either hidden or displayed.
House of Taswir, 2014 [p. 163].