“Die Kurven der Banknoten zeigen von der Existenz der Madonnen, die sie auf schreiende Weise bekleiden. Im Faschismus werden die Madonnen mit Netzen überworfen. Mit Fangnetzen, die sie ans Geld binden, mit Guillochen, die sie an einen bestimmten Blick binden, an den ökonomisierenden Blick, den Entrechtungsblick, den expropriierenden, annektierenden Blick.”
Katharina Karrenberg
Katharina Karrenberg
African Lady with Evil Eyes (2020/2024) R_A_U_S_CH_ archive no: R07_0332_04759 + R07_0332_0469/04771 sister diffractography framed between museums acryl and norm acryl 60 x 40 cm Not for sale. Courtesy of the artist and of House of Taswir
Katharina Karrenberg
African Lady with Evil Eyes (2020/2024) R_A_U_S_CH_ archive no: R07_0332_04759 + R07_0332_0469/04771 sister diffractography framed between museums acryl and norm acryl 60 x 40 cm Not for sale. Courtesy of the artist and of House of Taswir
Katharina Karrenberg, 1913_Krumau_Madonna, 2014
Reflectography, Fine Art Print on Baryt super smooth, framed between two glass panes,40 x 50 cm
Katharina Karrenberg, 1504_Hl.Katharina__Breslau, 2014
reflectography, Fine Art Print on Baryt super smooth, framed between two glass panes,40 x 50 cm
Katharina Karrenberg
Katharina Karrenberg is a fine artist specialising in drawing and visual media and their interaction in site-specific installations. Her creative work ranges from the visualisation of meandering text and image rhizomes (R.A.U.S.CH.) to work-in-progress projects and research on the aesthetic, institutional and economic conditions of globalisation (SHOW ME WHERE THE KANON IS).
For more info feel free to contact us or
visit the website of the artist at www.katharina-karrenberg.de